Tales of a Conflicted Apple Loyalist

Sunday, August 11, 2013

Let me start by addressing the timeliness of writing about the whole Spotify/iTunes thing at this juncture. I realize I'm late to the party here; that's actually why I'm taking the time to share my thoughts. Hopefully my perspective provides enough of a twist to make it worth your while. So first of all, let me preface the main body of this post with a little bit of backstory on who is writing what you are about to read:

I hate the idea of taking the Spotify Plunge. Hate it. I'm about as close to a certifiable disciple of the Steve Jobs Philosophy as you're likely to find. Someone who loves the idea of integration and wants everything to work together seamlessly.  A guy who cringes at using apps that don't look like they were designed to fit in aesthetically with all the native ones on my iPhone. I would never think of jailbreaking any of my Apple devices. Not because I'm afraid something will go wrong.  It just doesn't sound attractive to me. At all. My entire tech food chain from top to bottom is branded the same way, looks the same way, and runs the same way. And I love it.

On top of all that, and perhaps most significantly, I am somewhat of an obsessive collector. I've been one for as long as I can remember, specifically with music and media in general. But music more than anything else. I can remember being 12 and completely obsessing over having every album from all of my favorite artists, and if they weren't all organized perfectly (artists in alphabetical order, albums chronologically), freak-outs ensued.  I'm still the same guy, and though the vehicle is no longer physical in nature (it killed me to let go of CDs and all their glorious packaging),  I still get considerable gratification from finding new music, downloading it, and watching the track count go up in my pretty sizable iTunes library.  In short, I'm the consumer corporate types count on.

So why is any of this pertinent information?  Bottom line: If Apple isn't worried already (and I'm sure they've probably hired people to run formulas like this), they better get that fixed pretty quick. Plain and simple. I am one of the LAST people they should ever have to worry about shelling out money to another company every month. And yet, here I am after 48 hours of Spotify Premium, thinking there's probably no going back.

So what's made a believer out of me already? Well let's start with the obvious:

IT'S A MASSIVE, BOTTOMLESS OCEAN OF MUSIC, AND FOR 10 BUCKS A MONTH IT ALL BELONGS TO ME (sort of). Seriously, have you been on there yet?  It's completely ridiculous. Too good to be legal even, but it is.  As a lover of indie music who is constantly digging for the next payoff, Spotify presents a double-edged sword of awesomeness. Practically almost everything by almost everyone is available, indie bands included. This is invaluable, because the "unknown" factor is so prominent with indie music. There are tons of great unknown bands out there, but for every great one you stumble on you'll suffer through at least 5 awful ones along the way. Spotify makes this irrelevant, at least financially speaking. There is no risk. And no doubt the discovery/recommendation features are pretty fantastic as well. Also the awesome price point cannot be overstated. $10 will get you one album on iTunes. As somebody who will routinely purchase somewhere between 4-8 albums a month, it's just flat-out economically irresponsible for me to not go with Spotify.

The other half of what makes Spotify so attractive is its social media integration. Frankly, Apple confounds me with this. How and why they haven't made it easier to share what you're listening to with others blows my mind. This has to be costing them money. Has to. And personally, I love sharing the music I discover just about as much as I enjoy collecting it. I'm sure there are plenty of others out there just like me, so why you wouldn't provide these people with a convenient means to help you sell your product for free is beyond me.  And Spotify just absolutely kills iTunes in this department. They make it extremely easy to share songs and/or albums (I'm an album guy) both with friends within Spotify and through social media outlets like Twitter. And I love being able to see what my friends are listening to in the "Activity" feed.  It's almost as strong in this department as iTunes is inept.

Spotify is not without its issues, though. For one, I'm not a big fan of the interface. It's a bit clunky, and organizationally speaking I can't stand it. There really needs to be some sort of library for you to store artists/albums that you're currently into, but presently the only method for that is through playlists.  I don't imagine it will take long before it gets pretty hairy trying to find what I want to listen to on my phone, and honestly if anything could drive me away at this point, that would probably be it.  Another huge gripe for me is the lack of any kind of mini player whatsoever, which I find absolutely inexcusable. It was a big turn off for me when Spotify first came out, and it's still annoying the crap out of me now. Also, and this is a bit of a nit-picky thing, but I'd really like to be able to tell Spotify that I've already heard a band in the discover section. I appreciate being told that I will like Braid because I listened to Crash of Rhinos, but the reason I'm listening to Crash of Rhinos to begin with is because I worshipped Braid about 15 years ago when they were actually around (the first time, that is).  Lastly, general integration is a major issue for me. iTunes works seamlessly with every other program on my iMac. This is lost with Spotify, and Airplay is nowhere to be found. Yeah, there's a workaround for that, but I don't really want to have to dig around in my computer's settings every time I want to use it.

Maybe 5 or 6 years ago, this stuff wouldn't have been that big of a deal. It certainly wouldn't have been a decade-plus back when Winamp was setting the bar for music players. But the thing is the iTunes interface has just become soooo stinking good.  It's definitely not perfect, and Apple takes inexplicable steps in the wrong direction at times, but they usually get around to doing what needs to be done. And the current version is their best yet. The new mini player is so fantastic it actually makes Spotify's lack of one a bigger issue than it probably should be. There are a ton of ways to view and organize your music (a big deal for an obsessive collector), and Spotify offers exactly zero options in this department. I suppose someone could make the "you get what you pay for" argument here, but I don't find that to be a valid excuse for most of these issues.

All that having been said, sagging digital music sales has been a hot topic as of late, and one has to wonder how long Apple can stay with the status quo before they start taking a substantial hit.  iTunes Radio will be a positive step in the right direction, and maybe it will stem the tide for a bit, but it's hard to imagine that a company (or companies) providing a well-executed subscription option won't force them to join the revolution at some point.  The way I see it, right now they're profiting from the ignorance of their consumers.  That's not going to last forever, so the real question is how long before we reach that fork in the road. As an Apple enthusiast, I sincerely hope it's soon. 

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13 Best of 2013... So Far.

Friday, June 21, 2013



*Fair warning: I read an article a while back chastising the use of double spaces following punctuation (apparently it's a holdover from the typewriter days and supposedly should be regarded as obsolete).  Since then, I can't seem to commit to either single or double spacing.  So if you feel nauseated after reading this, you'll know why.  Apologies in advance.

Well, it's been a while (where "a while" = 2 years). Life has shifted into ludicrous speed with 3 little ones, and I've taken to sharing most of my musings single serving-style on Twitter. But I've got a few more hours to work with now that summer break has arrived, and I feel like I need some more square footage for this, so here we are.

Anyway, there's not much debating that 2013 has a strong shot at ending up one of the best years of music in at least half a decade.  This really isn't news; indeed it seems like pretty much the entire internet recognizes it.  And while it's debatable how much of this is due to what I've found to be a pretty subpar output over the last couple years, it's very difficult at this point to deny the strength of what's been released recently. In fact, I think you'd probably have to total up the best releases from the past 3 or 4 years just to even hold a candle to those from the the past 5 months.

Yeah, it's a bandwagon move on my part to write when there's a lot of great stuff to write about, but it is what it is I guess.  I've been looking for a reason to write something, so I figure I better go with it while I've got the inspiration (and I'm in between diaper changes, feedings, bath times, etc.).  So without further ado, here are my top 13 albums of 2013... so far. They're sans rankings due largely to the fact that some of these albums have been released very recently and I just haven't been able to give them the same listening attention as earlier releases.  Hopefully I'll have time for an end of year list, and we'll rank it out then.  Hopefully.

Appleseed Cast - Illumination Ritual
After releasing the epic Low Level Owl I & II back in '01, these guys were one of the first to be labeled "America's answer to Radiohead".  After straying in a couple different directions (albeit enjoyable ones) over the past decade, they've finally released what I think is the truest follow up to their masterpiece.  Not that I'm selling this as being as good as LLO, but it delivers on that promise more than the rest of their output since, and I'm thoroughly enjoying it.




Daft Punk - Random Access Memories
Daft Punk have forever been "the band that influences all the bands that take over the world".  Now they're "the band that has the biggest album on Planet Earth." Tons of tracks with guest vocalists (my faves are Julian Casablancas and Panda Bear) and the entire thing just grooves like crazy.







Deerhunter - Monomania
Bit of a departure from the sugary, retro, reverb pop that Bradford Cox has been releasing for the last 5 years.  It's a rowdy record, and the more you turn it up, the better it sounds. [Insert Spinal Tap joke here.]










Mark Kozelek and Jimmy LaValle - Perils from the Sea
Mark Kozelek (Sun Kil Moon & Red House Painters) and Jimmy LaValle (The Album Leaf) do the Postal Service thing.  Trust me, though; despite similarities in the blueprint, this isn't some redundant ripoff.  LaValle's brand of lap pop is much more ambient than Jimmy Tamborello's, and Kozelek's voice is one of the most unique out there. This is not the sugary pop that Gibbard and Tamborello produced, but it comes close to canceling out Owl City on their list of descendants.  I'm sure they can appreciate that.





My Bloody Valentine - m b v
Somehow these guys managed to successfully follow up one of the most influential albums in modern music - an album that was supposed to be impossible to follow up. And it only took them 20 years to do it.






The National - Trouble Will Find Me
These guys are in the running for my favorite band over the past 5 years.  They are just so consistently good, and they somehow consistently keep getting better.  They're not gonna knock you over with innovation, and their songs won't suck you in with gimmicks or huge hooks.  They just settle into your brain, establish camp, and stay there.  And they are very good at what they do.  Debatable whether or not it's as good as their last (High Violet), but if it isn't, it's right there.





Phoenix - Bankrupt!
Phoenix didn't fair quite as well as MBV at following up a huge album, but this is still a very enjoyable rock record.  In fact, about the only major complaint about it is that it's not as good Wolfgang Amadeus Phoenix.  Which isn't much of a complaint, considering there's only been about 10 records released since then that are as good.  Don't compare, just listen and enjoy.





Queens of the Stone Age - ...Like Clockwork
Just getting into this album, but I can already tell I'm going to wear it out.  These guys have managed to maintain their edge over all these years, and they're still making the most melodic, goth-y alt-rock out there.







Rogue Wave - Nightingale Floors
Prototypical indie pop/rock band releases a prototypical indie pop/rock record. Don't hear any "Lake Michigan"-type standouts here, but they've obviously made a conscious effort to get back to what made them so good to begin with, and it's probably their best overall record since Descended Like Vultures.











The Strokes - Comedown Machine
Another return to form after a couple years of releasing not-so-great music. Think it's pretty well the internet consensus that this is the most under-appreciated album of 2013 at this point.  Lead off track "Tap Out" contains one of the best chorus melodies they've ever produced, and there's plenty more to go around afterwards.  I keep trying to put this album away so I can move on to other things, but then it just sucks me back in, and it sounds better every time I go back to it.






Their / They're / There - S/T
Mike Kinsella (American Football, Owen, Cap'n Jazz, Owls) has a new side job: playing drums with these dudes.  Personally, I think it's every bit as good as anything that he's been involved with since American Football. Really takes me back to the days of the legendary Polyvinyl releases at the turn of the century. And "Concession Speech Writer" is straight up lightning in a bottle.










Sigur Rós - Kveikur
After releasing their most immediate (and, I think, enjoyable) album in 2008, they dropped an album last year that was probably the most ambient, abstract, and boring of their career.  Didn't take them long to bounce back, though.  Kveikur seems almost hyper-focused for them, and it's the most percussion-driven and immediate album they've ever produced.  Particularly "Ísjaki", whose only peer in their catalogue in terms of immediate catchiness is "Inní mér syngur vitleysingur". Finally, a Sigur Rós album you can listen to in the car!







Vampire Weekend - Modern Vampires of the City
Stereogum named this album the best of the year so far.  I don't know if I can say that's true, but I definitely can't say that it isn't, either.  Much like The National, they just continue to refine and improve what they do.  And, also much like The National, they're an acquired taste.  But regardless of what you like, it's hard to deny that these guys are very smart and very good at what they do.  It was easy to see them as potential one hit (and one note) wonders when they first came onto the scene, but based on what they've produced here, they're probably not going away anytime soon.






Honorable Mention
Atoms for Peace - Amok
Junip - S/T
The Knife - Shaking the Habitual
The Little Ones - The Dawn Sang Along
Ra Ra Riot - Beta Love


Pretty ridiculous that it was actually that difficult to pick out a top 13 in June.  But it was just that.  Let me know what you think and share your own lists below!

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